Kathryn Stott


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27 JULY TO 4 AUGUST 2018


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Newsletter - 18 October 2017

Since my last message, the leaves are changing colour, the heating is on, jumpers are at the ready and our new musical season is very much underway.

I have now made a few visits to Oslo where I teach young talented pianists at the Norwegian Academy.  Oslo is a city I have been going to for many years and is part of my long association performing with wonderful Norwegian musicians.  Recently, I've been in Holland and performed with Henning Kraggerud who has just returned from a tour with the ACO in Australia.  As part of our programme, it was particularly exciting to perform his own compositions. This reminds me that in AFCM 2018, we will have three incredible musicians, all bringing their own music into the mix of seventy composers. I can't wait for you to hear them!

As you read this, I will be concluding my tour to South Korea, Japan and Taiwan with Yo-Yo Ma. It's amazing that in thirty-three years of performing together, we have never played the Prokofiev Sonata before, so a new exploration has been fascinating. Besides working together as a duo, we have often collaborated with many other musicians. One in particular made such a deep impact on me that I immediately thought they must come to AFCM. So, I'm really thrilled to share with you that we will have one member of the Silk Road Ensemble join us for the duration of the festival. The CONNECTIONS continue!

Newsletter - 7 October 2017

I wanted to write to you, now that life is somewhat back to normal for most of us, to express my true delight at taking on this role, and to share with you my thoughts for the 2018 Festival.

In 1995, sitting at my kitchen table, I created my first ever festival and called it Fauré and the French Connection. Twenty-two years on and many festivals later, I find myself coming back to the word CONNECTIONS. As the new Artistic Director of the Australian Festival of Chamber Music, this word has given me so much inspiration to create my first festival programme, full of fascinating links: musical, geographical and personal.

Of course, it’s an incredible challenge living thousands of miles away from Australia to take on this particular role, but in reality, this is the great attraction. Immersing myself in a new cultural landscape, is what I’ve been doing all my life. Having performed at AFCM four times in the past eleven years, I feel to have a good understanding of its core values and tradition - this is absolutely paramount. In an age where we communicate in real time from any distance, share information and knowledge at great speed, our connections to each other appear to grow ever closer and time travel has taken on a new meaning.

As a young girl, I had some lessons with Vlado Perlemuter who had studied all the solo works by Ravel with the composer himself at his home in Montfort l’Amaury. Some years ago, I went to Ravel’s house, played this same piano and was immediately overcome by the connection to the sounds I remembered from my teacher’s concerts. I had been transported back in time. Perlemuter studied with Alfred Cortot whose teacher was a student of Chopin. It’s beautifully endless!

However, really exciting are the connections between myself and the musicians coming to AFCM, and the national and international landscapes they come from. Each has a story to tell; each can travel back in time through their musical histories, but also be part of creating a musical future together. The real adventure starts when all these ingredients interact in real time and that’s the experience and the connections I'm looking forward to sharing with you in Townsville!



For any enquiries regarding private tuition and masterclasses, please contact jane@kathrynstott.com.


© kathryn stott 2008